These typically follow a plan that had been established around the turn of the century by French composers who assembled instrumental movements from their stage works into standalone suites. Orchestral suites-or Overtures, as they were often called-were immensely popular in Germany during the second quarter of the eighteenth century. If Bach’s solo concertos and concerti grossi were still hybrids displaying characteristics of both one-on-a-part chamber music and truly symphonic music, his orchestral suites can be described as truly symphonic-large-scale in conception and boldly etched in their sectional orchestration. THE BACKSTORY Eighteenth-century orchestral suites were among the first real flowerings of the orchestra as a definable medium. INSTRUMENTATION: 2 oboes, 3 trumpets, timpani, strings (first violins, second violins, and viola), and bass continuo Theodore Thomas conducted at the first Cincinnati May Festival 1730, in Leipzig we have no information about its early performance history BORN: March 21, 1685, Eisenach, Thuringia (Germany)ĭIED: July 28, 1750, Leipzig, Saxony (Germany)ĬOMPOSED: ca.
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